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More Musical History of Michael Frazier, Oregon Singer Songwriter - The
24 Carrot Band
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In
1985 I met Tim Lamberson. Starting out as a lead singer, he wound
up as the drummer by default in his old band Alliance. At the time
we met, he did not have a kit and played a "tong box"
I had also purchased in the early years. It was a maple box with
8 tongs cut into the top to elicit 8 different tones when struck
with a light mallet. It was actually quite appropriate with my original
acoustic guitar songs, and he developed intricate patterns that
really enhanced the songs. Tim also possessed excellent pitch and
a talent for coming up with harmony vocals, which for me was invigorating.
Little did I know at the time , the influence he would have over
my musical history. We have continued to hook up over the years.
More about Tim later.
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Visit
Tim's Web Site at INSITU
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After
a couple of sessions Tim invited a friend of his, Jon Rose, to "sit
in" with us. Jon played keyboards, including an old clavinette.
It made the coolest sounds I had ever heard. The three of us quickly
bonded in a musical sense, and began to work on my original songs
and some favorite cover tunes. Jon, a multitalented individual,
also played some guitar and bass. He was very knowledgeable about
music equipment and, unlike Tim and I, he actually had some. Amps,
speakers, mics, cables - you know, the basics for a music group.
We rehearsed in my garage and began to search for gigs and audition
other musicians for their talent and interest in forming a fuller
sounding group. By default, we booked ourselves as Michael Frazier
and Friends at our first gig at The Riverhouse in 1987.
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We
struggled for some time with other musicians popping in and out
of the group. Sig Paulson played guitar with us for a short time
as did Patrick Nugent. A fellow named Rich played congas and he
was quite good, though he lacked the commitment we were seeking.
Tim brought in another friend, Dave Spears. Dave wasn't really a
musician though he loved our tunes and we discovered he could contribute
percussion, background vocals and some good ideas. We hooked back
up with David Craven and Joe Evans for a few gigs, The Riverhouse
and Bush Park Art Fair, Boones Treasury. After a while, both David
and Joe had other commitments that kept them from continuing in
the band. Eventually, Tim purchased a full fledged drum kit and
Spears took over the percussion duties; the tong box, tambourine,
and the congas that Rich left behind, among other things. We booked
ourselves as The 24 Karat Band until we heard of a band from Albany
with the same name. We liked the sound of the name and simply changed
a word. That is when the 24 Carrot Band was born. Tim drew the Carrot
Guy as our band representative beginning many years of Carrot Times.
He was a natural. To see the various versions of this tuberous gentleman
check out the Logo
Pages.
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It
was 1987 and the four of us began searching for more musicians again
and tracking down more gigs. Spears met Leo Clarksmith in a bar
one day and discovered he played acoustic guitar, was relatively
new to town and had not hooked up with another group yet. We invited
Leo over for an audition and he immediately displayed appreciation
of my original material as well as the opportunity to play with
a group. He had a nice ability to spice up some of the empty spaces
without overplaying and added a bit of the "Dead sound "
to some tunes. Leo became a regular for the next few years.
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I
made a big splash with the band when I connected with Frank Dosland.
That boy could play. Lead guitarist with the taste, tone and riffs
to put the icing on our Carrot cake. He had drifted in from South
Dakota where he played all the time and was motivated to meet the
Oregon public in a musical sense. We began to gig regularly at Boones
Treasury and worked a variety of offbeat local and coastal gigs.
After a short time we recorded the first 24 Carrot Band Cassette
Album at The ROOT CELLAR.
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Jim
Flynn engineered the project over Memorial Day Weekend in 1988.
Some band members spent up to 12 hours a day together, working on
the project. Day 1 we recorded all the basic rhythm tracks in a
live format. Day 2 we recorded all the vocal tracks and day 3 was
mix down. This was my first experience recording my songs and, in
my mind, I clearly wanted more. On with the journey. This was the
beginning of THE ROOT CELLAR and Root Cellar Productions.
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With
the taste of recording fresh in my mouth, I felt the need to affirm
myself as a singer songwriter and continue recording. The Band was
in a stall and I decided to do something to continue moving forward.
In the Autumn of 1988, I recorded my first solo album as a diversion
from the band, a need for some control and a Christmas Present for
my family. I went to a local studio, owned and operated by Randy
Stauss. I played, he ran the 8 track tape deck and together we mixed
the final cuts and mastered a cassette tape album, Between The Worlds.
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Tim,
Jon, Frank, Leo, and I continued on as the 24 Carrot Band and played
together for nearly 2 years. There were numerous gigs; Boones Treasury
, The Riverhouse, Salem Art Fair and Dory Days at Pacific City .
We made T-shirts, promoted ourselves. We had local press and felt
like we were on our way. We were a diligent group though it was
hard to promote an original band in Salem, and I did not want to
do top 40. I was a writer, after all. In late 1989 Frank moved to
Eugene to pursue his continuing education. We tried the four piece
idea for a while, though it was clear there was a void. With my
family commitments and other issues calling me, I decided to disband
in March of 1990. For the moment the 24 Carrot Band was indeed,
history. I will always appreciate this period for the energy and
youth. I had written a lot of songs during this time and was beginning
to get the feel of writing for a band. It was difficult to let go
of musically, though personally I was getting worn out. I had a
full time day job, a family and other situations to deal with. It
was simply time for a break.
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For
More Musical History Go To
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